+ From 25/05/2010 to 08/06/2010
+ Project: KHACHAR BHITOR OCHIN RISHI >>>

RISHI: who?
The Rishi, contemptuously called "Muchi", are to be found all over Bangladesh, but perhaps their highest concentration is found in its south western regions, in the districts of Jessore, Satkhira and Khulna.
The Big issue?
Mainly Hindu by religion, these people are placed outside of the caste system and considered untouchables or 'ochut'.
These things still happen today?
Yes they do. Very much so. The discrimination against the Rishis ranges from physical abuse, to verbal abuse to segregation. Some have even had fatal consequences.
So whats this exhibition about?
It is a window into the world of the Rishis. Being an art installation its been painstakingly prepared. And once inside it is meant to trigger the same feelings of frustration and deprivation in you that Rishis have experienced every single day of their lives for many generations. How? Well thats the big surprise. Come find out for yourself!

Parittran, an NGO, Di + - a cultural association and Ogilvy & Mather Bangladesh proudly present KHACHAR BHITOR OCHIN RISHI, An Art Installation exhibition on identity.

The exhibition will be open to public everyday from 11am to 7pm (except fridays from 3pm to 8pm) at National Art Gallery, Bangladesh Shilpakala Academy
Your presence at the exhibition will be highly appreciated.

One Last Thing.....
If you are out on May 23 and 24 keep your eyes and ears peeled for anything incredibly intriguing on the streets of Dhaka city. If what you spot looks anything like a live caged man make sure you stop and check it out. After all, why wouldn't you?

National Art Gallery at Shilpakala Academy
1, Sagunbagicha, Ramna
Dhaka - 1000 Bangladesh

 
 
In this art installation the expectations of the visitor are frustrated. It is not possible to see with ease or even to get close let alone touch. Frustrated in his right to be accommodated the visitor, despite himself, discover that he has to reflect on the experience of denial which is being proposed. The exhibition obliges the visitor to live an interior experience of exclusion with the eyes of those who live it all through their lives: the Rishi.
detail of the art installation: female section / painting: Monumasi Das / art project: Laura Morelli
detail of the art installation: female section / art project: Laura Morelli
detail of the art installation: female section / painting: Monumasi Das / photo: Giovanni Diffidenti / art project: Laura Morelli
detail of the art installation: female section: stigma / Laura Morelli
detail of the art installation: female section / painting: Shoroshoti Das / photo: Giovanni Diffidenti / captions: Sergio Targa / art project: Laura Morelli
detail of the art installation: female section / painting: Doily Das, Monumasi Das, Shoroshoti Das / photos: Giovanni Diffidenti / captions: Sergio Targa / art project: Laura Morelli
detail of the art installation: female section
detail of the art installation: female section / art project: Laura Morelli
detail of the art installation: male section
Scavenging was one of the traditional and hereditary professions of the Rishi people. Skinning of cows was at the basis of the Rishi’s untouchable condition /text: Sergio Targa / painting: Chondro Sheakor Das / photo: Giovanni Diffidenti
detail of the art installation: male section: stigma / Laura Morelli
detail of the art installation: male section / mirror and written: Mohadeb Sardar / photo: Giovanni Diffidenti / art project: Laura Morelli
detail of the art installation: male section / Laura Morelli
detail of the art installation: male section / painting: Chondro Sheakor Das, Milan Kumer Mondol, Robin Das, mirror and written: Mohadeb Sardar / photo: Giovanni Diffidenti / art project: Laura Morelli
CKackrayl Around About, Dhaka / communication campaign Ogilvy & Mather (photo: Giovanni Diffidenti)
communication campaign Ogilvy & Mather
 
video clip / communication campaign Ogilvy & Mather
 
 

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